The Kukulkan Pyramid in Chichen-Itza which known as “El Castillo” (the castle)
Chichen Itza is one of Mexico’s most popular tourist destination, and rightfully so. The Yucatan’s grandest archaeological site is Chichen-Itza, a UNESCO World Heritage area of immense cultural significance.
Chichen Itza is perhaps the largest, most famous and most accessible Mayan site, about 125 kilometres west of Cancun and Cozumel. This ancient Mayan ruin, a major tourist stop in Mexico’s Yucatan Peninsula, is a rugged place of soaring pyramids, massive temples, startling carved columns and do-or-die sports fields.
The focal point of the region, an amalgam of an older Mayan city and newer Toltec settlement, is the towering Castillo pyramid, which is fraught with cosmological symbolism. Its four sides contain 365 steps (depicting the solar year), 52 panels (for each year in the Mayan century as well as each week in the solar year) and 18 terraces (for the 18 months in the religious year). Inside, the Castillo is an interesting temple accessible up a narrow stairway.
Mayan sports included a game with a soccer-sized ball that had its own intricate rules and provided exciting competition for huge crowds of spectators.
The enormous Chichen-Itza court where this game was played is the largest ever found and is lined with fascinating carvings that display the rules and details of the sacred game.
One carving even shows the captain of the losing game being beheaded.
The site also contains a sacred well, the astronomical Observatory, the imposing Temple of Warriors, the reclining Chac Mool figure, a form of classic Maya sculpture believed to have served as an altar for sacrifices, and the Nunnery.
During the fall and spring equinoxes, the sun’s shadow forms an enormous snake’s body, which lines up with the carved stone snake head at the bottom of the Castillo pyramid.
At Chichen Itza, the Sacred Cenote is a natural well 60 metres in diameter with sheer, escape-proof walls plunging 22 metres. Winsome maidens aside, excavations in 1882 and 1968 discovered that strapping six-foot warriors – old scores settled? – and infants were also tossed into the pit.
The Plaza of a Thousand Columns is an interesting eclectic group of buildings surrounding
Across from El Castillo, the Temple of the Warriors is also known as the Temple of the Thousand Columns. On top of it there is a stone on which steaming human hearts were offered to the gods.
Paintings on the outdoor pillars have all but disappeared, but inside an older temple beneath this one, colors are as bright as when they were freshly mixed from vegetable juice and mashed insects.
Several smaller buildings hold interest mostly for their relief sculptures depicting dire events of the time. But one that really makes you sit up and pay attention is a huge ball park.
Each of two 27-foot-high walls running its 480-foot length has a small stone ring near the top, through which a hard rubber ball had to be shot.
When you cross the highway bisecting the archeological zone, you leave behind unpleasant murals and evidence of human sacrifice, for these are buildings from pre-Toltec times. Unfortunately the Spaniards destroyed all religious records.
Caracol staircase
In consequence, nobody knows for certain that the ornate structure, 70 yards long and 18 yards high, was actually a nunnery.
However, built in 600 A.d. beside a church, it has many little rooms reminiscent of the convents in Spain so they named it the Nunnery.
In Chichen Itza you can also find the Caracol (Spanish for snail), so called for its spiral staircase. The substructure is believed to have been completed around 700 A.D., and the 48-foot circular tower added later. This is the all-important observatory.
El Castillo
El Castillo (Spanish pronunciation: [el kas’tiʎo]), Spanish for “the castle”), also known as the Temple of Kukulcan, is a Mesoamerican step-pyramid that dominates the center of the Chichen Itza archaeological site in the Mexican state of Yucatán. The building is more formally designated by archaeologists as Chichen Itza Structure 5B18.
Built by the pre-Columbian Maya civilization sometime between the 9th and 12th centuries CE, El Castillo served as a temple to the god Kukulkan, the Yucatec Maya Feathered Serpent deity closely related to the god Quetzalcoatl known to the Aztecs and other central Mexican cultures of the Postclassic period.
The pyramid consists of a series of square terraces with stairways up each of the four sides to the temple on top. Sculptures of plumed serpents run down the sides of the northern balustrade. During the spring and autumn equinoxes, the late afternoon sun strikes off the northwest corner of the pyramid and casts a series of triangular shadows against the northwest balustrade, creating the illusion of a feathered serpent “crawling” down the pyramid. The event has been very popular, but it is questionable whether it is a result of a purposeful design. Each of the pyramid’s four sides has 91 steps which, when added together and including the temple platform on top as the final “step”, produces a total of 365 steps (which is equal to the number of days of the Haab’ year).
The structure is 24 m (79 ft) high, plus an additional 6 m (20 ft) for the temple. The square base measures 55.3 m (181 ft) across.
History
The history of Chichen Itza can be traced back to the classic period of Mayan civilization , running between 250 BC through AD 850. Geographically, it ranged from Mexico through Guatemala, Belize, Honduras and El Salvador.
During the first millennium AD, the Mayans reached levels of civilization rivalling those of ancient Egypt, Greece and Rome.
They were superb astronomers, architect/builders, athletes and mathematicians.
But for some unfathomable reason they never discovered the wheel.
In times when Chichen Itza flourished as a city, the Mayas formed a highly sophisticated society. Their elite did remarkable work in astronomy, mathematics, engineering and architecture, while the rest provided manpower to execute the plans.
Largest of Mayan cities, Chichen Itza was started around 400 A.D., abandoned and returned to several times before the Toltecs arrived in 987 A.D.
The aggressive Toltecs conquered the Itzas, introduced them to the practice of human sacrifice and with their labor rebuilt the city as a religious centre.
Chichén Itzá; tzompantli or Skull Platform
Everyone moved out by the thirteenth century, so when the Spaniards came in the 1500s they found crumbling buildings being devoured by the greedy jungle.
A New York lawyer rediscovered them in 1842, following which an influx of amateur archeologists destroyed some.
Real restoration and reconstruction by the Carnegie Institute and Mexican government was begun in 1922, and continued for 20 years.
Site description
Chichen Itza was one of the largest Maya cities, with the relatively densely clustered architecture of the site core covering an area of at least 5 square kilometres (1.9 sq mi). Smaller scale residential architecture extends for an unknown distance beyond this. The city was built upon broken terrain, which was artificially levelled in order to build the major architectural groups, with the greatest effort being expended in the levelling of the areas for the Castillo pyramid, and the Las Monjas, Osario and Main Southwest groups.
The site contains many fine stone buildings in various states of preservation, and many have been restored. The buildings were connected by a dense network of paved causeways, called sacbeob. Archaeologists have identified over 80 sacbeob criss-crossing the site, and extending in all directions from the city.
The architecture encompasses a number of styles, including the Puuc and Chenes styles of the northern Yucatán Peninsula. The buildings of Chichen Itza are grouped in a series of architectonic sets, and each set was at one time separated from the other by a series of low walls. The three best known of these complexes are the Great North Platform, which includes the monuments of El Castillo, Temple of Warriors and the Great Ball Court; The Osario Group, which includes the pyramid of the same name as well as the Temple of Xtoloc; and the Central Group, which includes the Caracol, Las Monjas, and Akab Dzib.
South of Las Monjas, in an area known as Chichén Viejo (Old Chichén) and only open to archaeologists, are several other complexes, such as the Group of the Initial Series, Group of the Lintels, and Group of the Old Castle.
Architectural styles
The Puuc-style architecture is concentrated in the Old Chichen area, and also the earlier structures in the Nunnery Group (including the Las Monjas, Annex and La Iglesia buildings); it is also represented in the Akab Dzib structure. The Puuc-style building feature the usual mosaic-decorated upper façades characteristic of the style but differ from the architecture of the Puuc heartland in their block masonry walls, as opposed to the fine veneers of the Puuc region proper.
At least one structure in the Las Monjas Group features an ornate façade and masked doorway that are typical examples of Chenes-style architecture, a style centred upon a region in the north of Campeche state, lying between the Puuc and Río Bec regions.
Those structures with sculpted hieroglyphic script are concentrated in certain areas of the site, with the most important being the Las Monjas group.
Architectural groups
Great North Platform
Dominating the North Platform of Chichen Itza is the Temple of Kukulkan (a Maya feathered serpent deity similar to the Aztec Quetzalcoatl), usually referred to as El Castillo ("the castle"). This step pyramid stands about 30 metres (98 ft) high and consists of a series of nine square terraces, each approximately 2.57 metres (8.4 ft) high, with a 6-metre (20 ft) high temple upon the summit.
The sides of the pyramid are approximately 55.3 metres (181 ft) at the base and rise at an angle of 53°, although that varies slightly for each side. The four faces of the pyramid have protruding stairways that rise at an angle of 45°.The talud walls of each terrace slant at an angle of between 72° and 74°.At the base of the balustrades of the northeastern staircase are carved heads of a serpent.
Mesoamerican cultures periodically superimposed larger structures over older ones,and El Castillo is one such example. In the mid-1930s, the Mexican government sponsored an excavation of El Castillo. After several false starts, they discovered a staircase under the north side of the pyramid. By digging from the top, they found another temple buried below the current one.
Inside the temple chamber was a Chac Mool statue and a throne in the shape of Jaguar, painted red and with spots made of inlaid jade. The Mexican government excavated a tunnel from the base of the north staircase, up the earlier pyramid’s stairway to the hidden temple, and opened it to tourists. In 2006, INAH closed the throne room to the public.
On the Spring and Autumn equinoxes, in the late afternoon, the northwest corner of the pyramid casts a series of triangular shadows against the western balustrade on the north side that evokes the appearance of a serpent wriggling down the staircase, which some scholars have suggested is a representation of the feathered-serpent god Kukulkan.
Archaeologists have identified thirteen ballcourts for playing the Mesoamerican ballgame in Chichen Itza, but the Great Ball Court about 150 metres (490 ft) to the north-west of the Castillo is by far the most impressive. It is the largest and best preserved ball court in ancient Mesoamerica. It measures 168 by 70 metres (551 by 230 ft).
The parallel platforms flanking the main playing area are each 95 metres (312 ft) long. The walls of these platforms stand 8 metres (26 ft) high;set high up in the centre of each of these walls are rings carved with intertwined feathered serpents.
At the base of the high interior walls are slanted benches with sculpted panels of teams of ball players. In one panel, one of the players has been decapitated; the wound emits streams of blood in the form of wriggling snakes.
At one end of the Great Ball Court is the North Temple, also known as the Temple of the Bearded Man (Templo del Hombre Barbado). This small masonry building has detailed bas relief carving on the inner walls, including a center figure that has carving under his chin that resembles facial hair. At the south end is another, much bigger temple, but in ruins.
Built into the east wall are the Temples of the Jaguar. The Upper Temple of the Jaguar overlooks the ball court and has an entrance guarded by two, large columns carved in the familiar feathered serpent motif. Inside there is a large mural, much destroyed, which depicts a battle scene.
In the entrance to the Lower Temple of the Jaguar, which opens behind the ball court, is another Jaguar throne, similar to the one in the inner temple of El Castillo, except that it is well worn and missing paint or other decoration. The outer columns and the walls inside the temple are covered with elaborate bas-relief carvings.
Additional structures
The Tzompantli, or Skull Platform (Plataforma de los Cráneos), shows the clear cultural influence of the central Mexican Plateau. Unlike the tzompantli of the highlands, however, the skulls were impaled vertically rather than horizontally as at Tenochtitlan.
The Platform of the Eagles and the Jaguars (Plataforma de Águilas y Jaguares) is immediately to the east of the Great Ballcourt. It is built in a combination Maya and Toltec styles, with a staircase ascending each of its four sides. The sides are decorated with panels depicting eagles and jaguars consuming human hearts.
This Platform of Venus is dedicated to the planet Venus. In its interior archaeologists discovered a collection of large cones carved out of stone,the purpose of which is unknown. This platform is located north of El Castillo, between it and the Cenote Sagrado.
The Temple of the Tables is the northernmost of a series of buildings to the east of El Castillo. Its name comes from a series of altars at the top of the structure that are supported by small carved figures of men with upraised arms, called “atlantes.”
The Steam Bath is a unique building with three parts: a waiting gallery, a water bath, and a steam chamber that operated by means of heated stones.
Sacbe Number One is a causeway that leads to the Cenote Sagrado, is the largest and most elaborate at Chichen Itza. This “white road” is 270 metres (890 ft) long with an average width of 9 metres (30 ft). It begins at a low wall a few metres from the Platform of Venus. According to archaeologists there once was an extensive building with columns at the beginning of the road.
The Yucatán Peninsula is a limestone plain, with no rivers or streams. The region is pockmarked with natural sinkholes, called cenotes, which expose the water table to the surface. One of the most impressive of these is the Cenote Sagrado, which is 60 metres (200 ft) in diameter and surrounded by sheer cliffs that drop to the water table some 27 metres (89 ft) below.
The Cenote Sagrado was a place of pilgrimage for ancient Maya people who, according to ethnohistoric sources, would conduct sacrifices during times of drought. Archaeological investigations support this as thousands of objects have been removed from the bottom of the cenote, including material such as gold, carved jade, copal, pottery, flint, obsidian, shell, wood, rubber, cloth, as well as skeletons of children and men.
The Temple of the Warriors complex consists of a large stepped pyramid fronted and flanked by rows of carved columns depicting warriors. This complex is analogous to Temple B at the Toltec capital of Tula, and indicates some form of cultural contact between the two regions. The one at Chichen Itza, however, was constructed on a larger scale. At the top of the stairway on the pyramid’s summit (and leading towards the entrance of the pyramid’s temple) is a Chac Mool.
This temple encases or entombs a former structure called The Temple of the Chac Mool. The archeological expedition and restoration of this building was done by the Carnegie Institution of Washington from 1925 to 1928. A key member of this restoration was Earl H. Morris who published the work from this expedition in two volumes entitled Temple of the Warriors.
Along the south wall of the Temple of Warriors are a series of what are today exposed columns, although when the city was inhabited these would have supported an extensive roof system. The columns are in three distinct sections: A west group, that extends the lines of the front of the Temple of Warriors. A north group runs along the south wall of the Temple of Warriors and contains pillars with carvings of soldiers in bas-relief;
A northeast group, which apparently formed a small temple at the southeast corner of the Temple of Warriors, contains a rectangular decorated with carvings of people or gods, as well as animals and serpents. The northeast column temple also covers a small marvel of engineering, a channel that funnels all the rainwater from the complex some 40 metres (130 ft) away to a rejollada, a former cenote.
To the south of the Group of a Thousand Columns is a group of three, smaller, interconnected buildings. The Temple of the Carved Columns is a small elegant building that consists of a front gallery with an inner corridor that leads to an altar with a Chac Mool. There are also numerous columns with rich, bas-relief carvings of some 40 personages.
A section of the upper façade with a motif of x’s and o’s is displayed in front of the structure. The Temple of the Small Tables which is an unrestored mound. And the Thompson’s Temple (referred to in some sources as Palace of Ahau Balam Kauil ), a small building with two levels that has friezes depicting Jaguars (balam in Maya) as well as glyphs of the Maya god Kahuil.
This square structure anchors the southern end of the Temple of Warriors complex. It is so named for the shelf of stone that surrounds a large gallery and patio that early explorers theorized was used to display wares as in a marketplace. Today, archaeologists believe that its purpose was more ceremonial than commercial.
South of the North Group is a smaller platform that has many important structures, several of which appear to be oriented toward the second largest cenote at Chichen Itza, Xtoloc.
The Osario itself, like El Castillo, is a step-pyramid temple dominating its platform, only on a smaller scale. Like its larger neighbor, it has four sides with staircases on each side. There is a temple on top, but unlike El Castillo, at the center is an opening into the pyramid which leads to a natural cave 12 metres (39 ft) below. Edward H. Thompson excavated this cave in the late 19th century, and because he found several skeletons and artifacts such as jade beads, he named the structure The High Priests' Temple. Archaeologists today believe the structure was neither a tomb nor that the personages buried in it were priests.
The Temple of Xtoloc is a recently restored temple outside the Osario Platform is. It overlooks the other large cenote at Chichen Itza, named after the Maya word for iguana, "Xtoloc." The temple contains a series of pilasters carved with images of people, as well as representations of plants, birds and mythological scenes.
Between the Xtoloc temple and the Osario are several aligned structures: The Platform of Venus (which is similar in design to the structure of the same name next to El Castillo), the Platform of the Tombs, and a small, round structure that is unnamed. These three structures were constructed in a row extending from the Osario. Beyond them the Osario platform terminates in a wall, which contains an opening to a sacbe that runs several hundred feet to the Xtoloc temple.
South of the Osario, at the boundary of the platform, there are two small buildings that archaeologists believe were residences for important personages. These have been named as the House of the Metates and the House of the Mestizas.
South of the Osario Group is another small platform that has several structures that are among the oldest in the Chichen Itza archaeological zone.
The Casa Colorada (Spanish for "Red House") is one of the best preserved buildings at Chichen Itza. Its Maya name is Chichanchob, which according to INAH may mean "small holes". In one chamber there are extensive carved hieroglyphs that mention rulers of Chichen Itza and possibly of the nearby city of Ek Balam, and contain a Maya date inscribed which correlates to 869 AD, one of the oldest such dates found in all of Chichen Itza.
In 2009, INAH restored a small ball court that adjoined the back wall of the Casa Colorada.
While the Casa Colorada is in a good state of preservation, other buildings in the group, with one exception, are decrepit mounds. One building is half standing, named Casa del Venado (House of the Deer). The origin of the name is unknown, as there are no representations of deer or other animals on the building.
"La Iglesia" in the Las Monjas complex.
The "El Caracol" observatory temple.
Las Monjas is one of the more notable structures at Chichen Itza. It is a complex of Terminal Classic buildings constructed in the Puuc architectural style. The Spanish named this complex Las Monjas ("The Nuns" or "The Nunnery") but it was actually a governmental palace. Just to the east is a small temple (known as the La Iglesia, "The Church") decorated with elaborate masks.
The Las Monjas group is distinguished by its concentration of hieroglyphic texts dating to the Late to Terminal Classic. These texts frequently mention a ruler by the name of Kakupakal.
El Caracol ("The Snail") is located to the north of Las Monjas. It is a round building on a large square platform. It gets its name from the stone spiral staircase inside. The structure, with its unusual placement on the platform and its round shape (the others are rectangular, in keeping with Maya practice), is theorized to have been a proto-observatory with doors and windows aligned to astronomical events, specifically around the path of Venus as it traverses the heavens.
Akab Dzib is located to the east of the Caracol. The name means, in Yucatec Mayan, "Dark Writing"; "dark" in the sense of "mysterious". An earlier name of the building, according to a translation of glyphs in the Casa Colorada, is Wa(k)wak Puh Ak Na, "the flat house with the excessive number of chambers,” and it was the home of the administrator of Chichén Itzá, kokom Yahawal Cho' K’ak’.
INAH completed a restoration of the building in 2007. It is relatively short, only 6 metres (20 ft) high, and is 50 metres (160 ft) in length and 15 metres (49 ft) wide. The long, western-facing façade has seven doorways. The eastern façade has only four doorways, broken by a large staircase that leads to the roof. This apparently was the front of the structure, and looks out over what is today a steep, dry, cenote.
The southern end of the building has one entrance. The door opens into a small chamber and on the opposite wall is another doorway, above which on the lintel are intricately carved glyphs—the “mysterious” or “obscure” writing that gives the building its name today. Under the lintel in the doorjamb is another carved panel of a seated figure surrounded by more glyphs. Inside one of the chambers, near the ceiling, is a painted hand print.
Composite laser scan image of Chichen Itza's Cave of Balankanche, showing how the shape of its great limestone column is strongly evocative of the World Tree in Maya mythological belief systems. Data from a National Science Foundation/CyArk research partnership.
Old Chichen (or Chichén Viejo in Spanish) is the name given to a group of structures to the south of the central site, where most of the Puuc-style architecture of the city is concentrated.[4] It includes the Initial Series Group, the Phallic Temple, the Platform of the Great Turtle, the Temple of the Owls, and the Temple of the Monkeys.
Chichen Itza also has a variety of other structures densely packed in the ceremonial center of about 5 square kilometres (1.9 sq mi) and several outlying subsidiary sites.
Caves of Balankanche
Approximately 4 km (2.5 mi) south east of the Chichen Itza archaeological zone are a network of sacred caves known as Balankanche (Spanish: Gruta de Balankanche), Balamka'anche' in Yucatec Maya). In the caves, a large selection of ancient pottery and idols may be seen still in the positions where they were left in pre-Columbian times.
The location of the cave has been well known in modern times. Edward Thompson and Alfred Tozzer visited it in 1905. A.S. Pearse and a team of biologists explored the cave in 1932 and 1936. E. Wyllys Andrews IV also explored the cave in the 1930s. Edwin Shook and R.E. Smith explored the cave on behalf of the Carnegie Institution in 1954, and dug several trenches to recover potsherds and other artifacts. Shook determined that the cave had been inhabited over a long period, at least from the Preclassic to the post-conquest era.
On 15 September 1959, José Humberto Gómez, a local guide, discovered a false wall in the cave. Behind it he found an extended network of caves with significant quantities of undisturbed archaeological remains, including pottery and stone-carved censers, stone implements and jewelry. INAH converted the cave into an underground museum, and the objects after being catalogued were returned to their original place so visitors can see them in situ.
Chichen Itza was one of the largest Maya cities, with the relatively densely clustered architecture of the site core covering an area of at least 5 square kilometres (1.9 sq mi). Smaller scale residential architecture extends for an unknown distance beyond this. The city was built upon broken terrain, which was artificially levelled in order to build the major architectural groups, with the greatest effort being expended in the levelling of the areas for the Castillo pyramid, and the Las Monjas, Osario and Main Southwest groups.
The site contains many fine stone buildings in various states of preservation, and many have been restored. The buildings were connected by a dense network of paved causeways, called sacbeob. Archaeologists have identified over 80 sacbeob criss-crossing the site, and extending in all directions from the city.
The architecture encompasses a number of styles, including the Puuc and Chenes styles of the northern Yucatán Peninsula. The buildings of Chichen Itza are grouped in a series of architectonic sets, and each set was at one time separated from the other by a series of low walls. The three best known of these complexes are the Great North Platform, which includes the monuments of El Castillo, Temple of Warriors and the Great Ball Court; The Osario Group, which includes the pyramid of the same name as well as the Temple of Xtoloc; and the Central Group, which includes the Caracol, Las Monjas, and Akab Dzib.
South of Las Monjas, in an area known as Chichén Viejo (Old Chichén) and only open to archaeologists, are several other complexes, such as the Group of the Initial Series, Group of the Lintels, and Group of the Old Castle.
Architectural styles
The Puuc-style architecture is concentrated in the Old Chichen area, and also the earlier structures in the Nunnery Group (including the Las Monjas, Annex and La Iglesia buildings); it is also represented in the Akab Dzib structure. The Puuc-style building feature the usual mosaic-decorated upper façades characteristic of the style but differ from the architecture of the Puuc heartland in their block masonry walls, as opposed to the fine veneers of the Puuc region proper.
At least one structure in the Las Monjas Group features an ornate façade and masked doorway that are typical examples of Chenes-style architecture, a style centred upon a region in the north of Campeche state, lying between the Puuc and Río Bec regions.
Those structures with sculpted hieroglyphic script are concentrated in certain areas of the site, with the most important being the Las Monjas group.
Architectural groups
Great North Platform
El Castillo
Dominating the North Platform of Chichen Itza is the Temple of Kukulkan (a Maya feathered serpent deity similar to the Aztec Quetzalcoatl), usually referred to as El Castillo ("the castle"). This step pyramid stands about 30 metres (98 ft) high and consists of a series of nine square terraces, each approximately 2.57 metres (8.4 ft) high, with a 6-metre (20 ft) high temple upon the summit.
The sides of the pyramid are approximately 55.3 metres (181 ft) at the base and rise at an angle of 53°, although that varies slightly for each side. The four faces of the pyramid have protruding stairways that rise at an angle of 45°.The talud walls of each terrace slant at an angle of between 72° and 74°.At the base of the balustrades of the northeastern staircase are carved heads of a serpent.
Mesoamerican cultures periodically superimposed larger structures over older ones,and El Castillo is one such example. In the mid-1930s, the Mexican government sponsored an excavation of El Castillo. After several false starts, they discovered a staircase under the north side of the pyramid. By digging from the top, they found another temple buried below the current one.
Inside the temple chamber was a Chac Mool statue and a throne in the shape of Jaguar, painted red and with spots made of inlaid jade. The Mexican government excavated a tunnel from the base of the north staircase, up the earlier pyramid’s stairway to the hidden temple, and opened it to tourists. In 2006, INAH closed the throne room to the public.
On the Spring and Autumn equinoxes, in the late afternoon, the northwest corner of the pyramid casts a series of triangular shadows against the western balustrade on the north side that evokes the appearance of a serpent wriggling down the staircase, which some scholars have suggested is a representation of the feathered-serpent god Kukulkan.
Great Ball Court
Archaeologists have identified thirteen ballcourts for playing the Mesoamerican ballgame in Chichen Itza, but the Great Ball Court about 150 metres (490 ft) to the north-west of the Castillo is by far the most impressive. It is the largest and best preserved ball court in ancient Mesoamerica. It measures 168 by 70 metres (551 by 230 ft).
The parallel platforms flanking the main playing area are each 95 metres (312 ft) long. The walls of these platforms stand 8 metres (26 ft) high;set high up in the centre of each of these walls are rings carved with intertwined feathered serpents.
At the base of the high interior walls are slanted benches with sculpted panels of teams of ball players. In one panel, one of the players has been decapitated; the wound emits streams of blood in the form of wriggling snakes.
At one end of the Great Ball Court is the North Temple, also known as the Temple of the Bearded Man (Templo del Hombre Barbado). This small masonry building has detailed bas relief carving on the inner walls, including a center figure that has carving under his chin that resembles facial hair. At the south end is another, much bigger temple, but in ruins.
Built into the east wall are the Temples of the Jaguar. The Upper Temple of the Jaguar overlooks the ball court and has an entrance guarded by two, large columns carved in the familiar feathered serpent motif. Inside there is a large mural, much destroyed, which depicts a battle scene.
In the entrance to the Lower Temple of the Jaguar, which opens behind the ball court, is another Jaguar throne, similar to the one in the inner temple of El Castillo, except that it is well worn and missing paint or other decoration. The outer columns and the walls inside the temple are covered with elaborate bas-relief carvings.
Additional structures
The Tzompantli, or Skull Platform (Plataforma de los Cráneos), shows the clear cultural influence of the central Mexican Plateau. Unlike the tzompantli of the highlands, however, the skulls were impaled vertically rather than horizontally as at Tenochtitlan.
The Platform of the Eagles and the Jaguars (Plataforma de Águilas y Jaguares) is immediately to the east of the Great Ballcourt. It is built in a combination Maya and Toltec styles, with a staircase ascending each of its four sides. The sides are decorated with panels depicting eagles and jaguars consuming human hearts.
This Platform of Venus is dedicated to the planet Venus. In its interior archaeologists discovered a collection of large cones carved out of stone,the purpose of which is unknown. This platform is located north of El Castillo, between it and the Cenote Sagrado.
The Temple of the Tables is the northernmost of a series of buildings to the east of El Castillo. Its name comes from a series of altars at the top of the structure that are supported by small carved figures of men with upraised arms, called “atlantes.”
The Steam Bath is a unique building with three parts: a waiting gallery, a water bath, and a steam chamber that operated by means of heated stones.
Sacbe Number One is a causeway that leads to the Cenote Sagrado, is the largest and most elaborate at Chichen Itza. This “white road” is 270 metres (890 ft) long with an average width of 9 metres (30 ft). It begins at a low wall a few metres from the Platform of Venus. According to archaeologists there once was an extensive building with columns at the beginning of the road.
Sacred Cenote
The Yucatán Peninsula is a limestone plain, with no rivers or streams. The region is pockmarked with natural sinkholes, called cenotes, which expose the water table to the surface. One of the most impressive of these is the Cenote Sagrado, which is 60 metres (200 ft) in diameter and surrounded by sheer cliffs that drop to the water table some 27 metres (89 ft) below.
The Cenote Sagrado was a place of pilgrimage for ancient Maya people who, according to ethnohistoric sources, would conduct sacrifices during times of drought. Archaeological investigations support this as thousands of objects have been removed from the bottom of the cenote, including material such as gold, carved jade, copal, pottery, flint, obsidian, shell, wood, rubber, cloth, as well as skeletons of children and men.
Templo de los Guerreros (Temple of the Warriors)
The Temple of the Warriors complex consists of a large stepped pyramid fronted and flanked by rows of carved columns depicting warriors. This complex is analogous to Temple B at the Toltec capital of Tula, and indicates some form of cultural contact between the two regions. The one at Chichen Itza, however, was constructed on a larger scale. At the top of the stairway on the pyramid’s summit (and leading towards the entrance of the pyramid’s temple) is a Chac Mool.
This temple encases or entombs a former structure called The Temple of the Chac Mool. The archeological expedition and restoration of this building was done by the Carnegie Institution of Washington from 1925 to 1928. A key member of this restoration was Earl H. Morris who published the work from this expedition in two volumes entitled Temple of the Warriors.
Group of a Thousand Columns
A northeast group, which apparently formed a small temple at the southeast corner of the Temple of Warriors, contains a rectangular decorated with carvings of people or gods, as well as animals and serpents. The northeast column temple also covers a small marvel of engineering, a channel that funnels all the rainwater from the complex some 40 metres (130 ft) away to a rejollada, a former cenote.
To the south of the Group of a Thousand Columns is a group of three, smaller, interconnected buildings. The Temple of the Carved Columns is a small elegant building that consists of a front gallery with an inner corridor that leads to an altar with a Chac Mool. There are also numerous columns with rich, bas-relief carvings of some 40 personages.
A section of the upper façade with a motif of x’s and o’s is displayed in front of the structure. The Temple of the Small Tables which is an unrestored mound. And the Thompson’s Temple (referred to in some sources as Palace of Ahau Balam Kauil ), a small building with two levels that has friezes depicting Jaguars (balam in Maya) as well as glyphs of the Maya god Kahuil.
El Mercado
Osario Group
The Osario itself, like El Castillo, is a step-pyramid temple dominating its platform, only on a smaller scale. Like its larger neighbor, it has four sides with staircases on each side. There is a temple on top, but unlike El Castillo, at the center is an opening into the pyramid which leads to a natural cave 12 metres (39 ft) below. Edward H. Thompson excavated this cave in the late 19th century, and because he found several skeletons and artifacts such as jade beads, he named the structure The High Priests' Temple. Archaeologists today believe the structure was neither a tomb nor that the personages buried in it were priests.
Temple of Xtoloc
The Temple of Xtoloc is a recently restored temple outside the Osario Platform is. It overlooks the other large cenote at Chichen Itza, named after the Maya word for iguana, "Xtoloc." The temple contains a series of pilasters carved with images of people, as well as representations of plants, birds and mythological scenes.
Between the Xtoloc temple and the Osario are several aligned structures: The Platform of Venus (which is similar in design to the structure of the same name next to El Castillo), the Platform of the Tombs, and a small, round structure that is unnamed. These three structures were constructed in a row extending from the Osario. Beyond them the Osario platform terminates in a wall, which contains an opening to a sacbe that runs several hundred feet to the Xtoloc temple.
South of the Osario, at the boundary of the platform, there are two small buildings that archaeologists believe were residences for important personages. These have been named as the House of the Metates and the House of the Mestizas.
Casa Colorada Group
The Casa Colorada (Spanish for "Red House") is one of the best preserved buildings at Chichen Itza. Its Maya name is Chichanchob, which according to INAH may mean "small holes". In one chamber there are extensive carved hieroglyphs that mention rulers of Chichen Itza and possibly of the nearby city of Ek Balam, and contain a Maya date inscribed which correlates to 869 AD, one of the oldest such dates found in all of Chichen Itza.
In 2009, INAH restored a small ball court that adjoined the back wall of the Casa Colorada.
While the Casa Colorada is in a good state of preservation, other buildings in the group, with one exception, are decrepit mounds. One building is half standing, named Casa del Venado (House of the Deer). The origin of the name is unknown, as there are no representations of deer or other animals on the building.
Central Group
"La Iglesia" in the Las Monjas complex.
The "El Caracol" observatory temple.
Las Monjas is one of the more notable structures at Chichen Itza. It is a complex of Terminal Classic buildings constructed in the Puuc architectural style. The Spanish named this complex Las Monjas ("The Nuns" or "The Nunnery") but it was actually a governmental palace. Just to the east is a small temple (known as the La Iglesia, "The Church") decorated with elaborate masks.
The Las Monjas group is distinguished by its concentration of hieroglyphic texts dating to the Late to Terminal Classic. These texts frequently mention a ruler by the name of Kakupakal.
El Caracol ("The Snail") is located to the north of Las Monjas. It is a round building on a large square platform. It gets its name from the stone spiral staircase inside. The structure, with its unusual placement on the platform and its round shape (the others are rectangular, in keeping with Maya practice), is theorized to have been a proto-observatory with doors and windows aligned to astronomical events, specifically around the path of Venus as it traverses the heavens.
Akab Dzib is located to the east of the Caracol. The name means, in Yucatec Mayan, "Dark Writing"; "dark" in the sense of "mysterious". An earlier name of the building, according to a translation of glyphs in the Casa Colorada, is Wa(k)wak Puh Ak Na, "the flat house with the excessive number of chambers,” and it was the home of the administrator of Chichén Itzá, kokom Yahawal Cho' K’ak’.
INAH completed a restoration of the building in 2007. It is relatively short, only 6 metres (20 ft) high, and is 50 metres (160 ft) in length and 15 metres (49 ft) wide. The long, western-facing façade has seven doorways. The eastern façade has only four doorways, broken by a large staircase that leads to the roof. This apparently was the front of the structure, and looks out over what is today a steep, dry, cenote.
The southern end of the building has one entrance. The door opens into a small chamber and on the opposite wall is another doorway, above which on the lintel are intricately carved glyphs—the “mysterious” or “obscure” writing that gives the building its name today. Under the lintel in the doorjamb is another carved panel of a seated figure surrounded by more glyphs. Inside one of the chambers, near the ceiling, is a painted hand print.
Old Chichen
Composite laser scan image of Chichen Itza's Cave of Balankanche, showing how the shape of its great limestone column is strongly evocative of the World Tree in Maya mythological belief systems. Data from a National Science Foundation/CyArk research partnership.
Old Chichen (or Chichén Viejo in Spanish) is the name given to a group of structures to the south of the central site, where most of the Puuc-style architecture of the city is concentrated.[4] It includes the Initial Series Group, the Phallic Temple, the Platform of the Great Turtle, the Temple of the Owls, and the Temple of the Monkeys.
Other structures
Caves of Balankanche
Approximately 4 km (2.5 mi) south east of the Chichen Itza archaeological zone are a network of sacred caves known as Balankanche (Spanish: Gruta de Balankanche), Balamka'anche' in Yucatec Maya). In the caves, a large selection of ancient pottery and idols may be seen still in the positions where they were left in pre-Columbian times.
The location of the cave has been well known in modern times. Edward Thompson and Alfred Tozzer visited it in 1905. A.S. Pearse and a team of biologists explored the cave in 1932 and 1936. E. Wyllys Andrews IV also explored the cave in the 1930s. Edwin Shook and R.E. Smith explored the cave on behalf of the Carnegie Institution in 1954, and dug several trenches to recover potsherds and other artifacts. Shook determined that the cave had been inhabited over a long period, at least from the Preclassic to the post-conquest era.
On 15 September 1959, José Humberto Gómez, a local guide, discovered a false wall in the cave. Behind it he found an extended network of caves with significant quantities of undisturbed archaeological remains, including pottery and stone-carved censers, stone implements and jewelry. INAH converted the cave into an underground museum, and the objects after being catalogued were returned to their original place so visitors can see them in situ.
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Israel Leal, AP
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