Showing posts with label medevial. Show all posts
Showing posts with label medevial. Show all posts

Thursday, August 30, 2018

The roof of a church built on top of an ancient prison that is said to have held St. Peter before his crucifixion collapsed on Thursday in Rome. No injuries were reported.

The church was closed to the public at the time and is normally open only for marriage ceremonies, but dogs were brought in to sniff through the rubble to make certain no one had been buried, the fire department said.

The roof collapsed onto the floor of St. Joseph the Carpenter, which was built in the 1500s on top of the ancient Mamertine prison, where the defeated Gallic king Vercingetorix and Saints Peter and Paul are said to have been held.

Wooden beams and terracotta tiles were scattered in piles across the floor of the church, and one beam crashed through the floor and vaulted ceiling of a chapel below, fire official Luigi Liolli said shortly after inspecting the damage.
Italy has sought to attract private investors to renovate its historical sites, including the Colosseum, as budget austerity has cut into spending needed to maintain the country’s rich historical and artistic heritage.

In recent years several walls have collapsed in the ancient city of Pompeii, which was buried in volcanic ash almost 2,000 years ago. Pompeii, which has been partially excavated by archaeologists, is one of Italy’s most popular tourist attractions.

Roof collapses on historic church where St. Peter. Rome , Itaty

Artefacts dating back more than 800 years have been found at the Palace of Holyroodhouse.

Items discovered during excavation work in Edinburgh this year include a 12th-century jug fragment, a horse skeleton and a medieval shoe.

The diets of ambassadors and courtiers at Abbey Strand – during the reigns of Mary, Queen of Scots and James VI – were also revealed by the mass of oyster shells and wine bottles dug up.
Researchers also say wine and spirit containers, food debris and fragments of children’s games give a glimpse of life for the 25 impoverished families living in cramped tenements in the area during the 18th and 19th centuries.

Gordon Ewart of Kirkdale Archaeology, which carried out the work, said: “The survey has provided a unique opportunity to understand more about the fascinating development of the Abbey Strand and its surroundings – and to explore how the site has been the historic and symbolic bridge between the palace and the city of Edinburgh for centuries.”

More than 40 trenches were dug for an archaeological survey as part of the £10 million works to improve the visitor experience at the palace.

Excavations in the Abbey Strand buildings by the Edinburgh-based firm uncovered the earliest evidence of settlement on the site.

Timber posts dating from the 12th century are believed to mark the location of a terrace that led to the then low-lying island on which Holyrood Abbey was built in 1128.

They could also have formed part of a structure used by the workmen who built the Abbey.

One of the earliest finds is a medieval leather shoe from beneath one of the cellars in the Abbey Strand.

The bones of Highland cattle found in the gardens provide evidence of trading between Edinburgh and the Highlands and Western Isles.

The palace is used by the Queen when carrying out official engagements in Scotland.

Queen's Edinburgh Residence Yields 800-Year-Old Artifacts

Sunday, August 26, 2018

Amy Scott, right, an archaeologist and project lead with the University of New Brunswick and student Nicole Hughes look over notes at a burial site at the Fortress of Louisbourg, N.S. (The Canadian Press/Parks Canada)

Amy Scott, proper, an archaeologist and mission lead with the College of New Brunswick and scholar Nicole Hughes look over notes at a burial website on the Fortress of Louisbourg, N.S. Canada.

Younger researchers are working towards the clock to dig up 300-year-old human stays earlier than they’re washed away by the ocean — and the mission lead says what they discovered thus far may give us a brand new perspective on what life was like within the 18th century.

Consultants say there could possibly be as many as a thousand our bodies buried at Rochefort Level, the principle burial website at Cape Breton’s Fortress of Louisbourg, as soon as a well-liked seaport and the positioning of two sieges between the French and the British within the 1700s.

College of New Brunswick bioarchaeologist​ Amy Scott says the slender peninsula extending into the ocean simply past the fortress’s east gate is now underneath a siege of its personal: rising sea ranges and coastal erosion pose a distant menace to the centuries of historical past buried beneath its floor.
Students from across North America have unearthed the remains of 31 people so far this year. (The Canadian Press/Parks Canada)

Common age of loss of life 24
Scott led an excavation group of 15 scholar archaeologists from throughout the continent as a part of a summer time mission with Parks Canada, and whereas their dig has wrapped up this 12 months, one other group can be again once more subsequent summer time to proceed the work.

College students from throughout North America have unearthed the stays of 31 individuals thus far this 12 months.

They unearthed the stays of 31 individuals this 12 months, and Scott says lots of the stays have been male — males vastly outnumbered girls on the website within the 1700s — and the common age of loss of life was 24, although she says the group unearthed the stays of a number of kids as effectively.

Most of the stays present indicators of blunt power trauma and fractures on their faces and arms, suggesting fairly a little bit of brawling went on on the fortress in the course of the tumultuous time in Canadian historical past.

Students unearth 300-year-old human remains near Louisbourg, Canada

Sunday, September 10, 2017

Nicholas Gibbs, a history researcher, says that he has decoded the Voynich Manuscript, a legendarily mysterious 15th century text whose curious illustrations and script have baffled cryptographers, historians, and amateur sleuths for decades.

According to Gibbs, the Voynich Manuscript is a cobbled together compendium of largely plagiarized women's medical advice and treatments, and the odd script is just an idiosyncratic version of a widely used system of Latin abbreviations.


Gibbs hypothesizes that the Manuscript was commissioned as a kind of anthology, possibly for a single person's use.

The foldout diagram of nine illustrated spheres found in the Voynich manuscript proved the key to understanding it. The Voynich manuscript has been digitized by the Beinecke library, and this allowed me, at maximum magnification, to take a patchwork pencil tracing of the entire sequence of nine spheres. When I laid out my copy and turned it through 360 degrees, I noticed some interesting pers­pective properties. The design, in spite of its Persian influence, is definitely Mediterranean in style and content. The entire diagram can be viewed either as a lozenge shape or like a board of noughts and crosses. 

Every detail shown inside each circle or in their immediate connecting pathways – whether tent canopy, water fountain, fortification, cardinal point or wind direction – is depicted in the illustrations of De Balneis Puteolanis and copies of what was eventually to become the highly decorated manuscript Tacuinum Sanitatis (thirteenth century) gleaned from an eleventh-century Arab script, which in turn can be traced to Pliny. The sources common to all three titles come as no surprise – Galen, Hippocrates and Pliny.

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The imagery in one of the Voynich manuscript’s nine spheres reveals a hitherto unrecognized medieval sea port. There is no mistaking the fort that guards the harbour approaches, the crescent quay and the lighthouse on the mole at the end of the causeway, all overseen by its citadel. From an earlier project exclusively focused on the Crusades, I had come across a 1487 manuscript of Conrad Grünenberg’s travelogue of his pilgrimage to Jerusalem. 

The manuscript was stuffed full of illustrations of medieval sea ports. On revisiting this volume I noticed an image of Rhodes harbour which clearly reflected many of the features of the harbour of the Voynich nine spheres. Traditionally, water is depicted by a series of swirled or undulating parallel lines. In the Voynich manuscript, the harbour water is represented by star motifs. This provides a credible explanation for the star motif as a water symbol elsewhere in the manuscript.
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http://thrgo.pro/?rid=-6AAAAAAAE6RUBAAAAAAAAAAQaFiaiAAAAThe artists engaged in illustrating the Voynich manuscript ranged from the proficient to the downright naive. There appears to have been a different hand for each genre incorporated in it. The draughtsman responsible for the botany possessed a good sense of depth, while the colourist of the same images was slapdash, not with a brush but with a nib; the artist of various cylindrical and bulbous vessels had an eye for detail, but absolutely no sense of depth, and in stark contrast to the attached depictions of the root and leaf ingredients; while the artist of the nine spheres appears to have used an optical device.

The Voynich Manuscript appears to be a fairly routine anthology of ancient women's health advice

Thursday, July 6, 2017

BOURNEMOUTH UNIVERSITY (BU) MARINE ARCHAEOLOGISTS ARE SET TO BEGIN EXCAVATING THE HISTORIC WARSHIP INVINCIBLE 1744.

BU is working with lead partner, Maritime Archaeology Sea Trust (MAST) and the National Museum of the Royal Navy (NMRN) on the excavation and conservation and eventual exhibition of important artefacts from the shipwreck, revealing important clues to what life and maritime warfare was like in the late 1700s.

The ship, built by the French in 1744 and captured by the British in 1747, was used by the Royal Navy until it sank in the Solent, hitting a sandbank in 1758. The ship has been sat on the bed of the Solent ever since.

The wreck was rediscovered by Arthur Mack, a fisherman, in 1979 after which a small-scale excavation took place, led by Commander John Bingeman during the 1980s. Since then the site has become increasingly exposed due to shifting sands in the Solent, requiring an emergency rescue excavation before all records of the ship are lost.

BU, MAST and the NMRN have been awarded £2 million from the LIBOR fund for the excavation of the wreck site, which has now begun.

Dave Parham, Associate Professor in Maritime Archaeology at Bournemouth University, said, “What Invincible has is a revolutionary hull and significant contents of an 18th century warship from armaments to personal possessions. We are excited to start excavating and studying these rare artefacts and putting them on display for the public to engage in a period of maritime history that we currently don’t know too much about.”
Dan Pascoe, the site licensee said: “It gives me great pleasure to be able to follow in the footsteps of John Bingeman and reunite once more, the Invincible with the present, through her excavation and recovery’”.

Jessica Berry, CEO of MAST, said, “Currently there is a prominent gap in our knowledge between the Mary Rose, built in 1511, and HMS Victory, built in 1765. In between, there is a missing link and Invincible will fill that. We are looking at raising a set of articulated timbers to look at how unique she was, along with some significant artefacts that will illuminate this part of maritime history and preserve it for generations to come.”

A video has been created to give more information about the project, which can be viewed on Bournemouth University’s YouTube channel.

Another important part of the project is the involvement of Service and ex-Service personnel, particularly in helping to record and conserve the artefacts, offering the chance for important voluntary contributions to the project.

Once conserved  , the artefacts will go on display at the National Museum of the Royal Navy in Portsmouth Historic Dockyard, alongside other important maritime displays and the Mary Rose and HMS Victory.

Bournemouth University set for historic Invincible project

Tuesday, April 18, 2017

After the Resurrection, this tomb is crammed with the remains of former Archbishops of Canterbury.

Last year, during the refurbishment of the Garden Museum, which is housed in a deconsecrated medieval parish church next to Lambeth Palace, the Archbishop of Canterbury’s official London residence, builders made the discovery of a lifetime: a cache of 30 lead coffins that had lain undisturbed for centuries.



Closer inspection revealed metal plates bearing the names of five former Archbishops of Canterbury, going back to the early 1600s.

Building site managers Karl Patten and Craig Dick made the find by chance, as the former chancel at St Mary-at-Lambeth was being converted into an exhibition space. Stripping some stone to even out the precarious flooring and enable disabled access to the old altar, they accidentally cut a six-inch diameter hole in the floor and noticed a hidden chamber beneath.

Attaching a mobile phone to a stick, they dropped it into the void. What they filmed astonished them – a hidden stairway leading to a brick-lined vault. Inside, piled on top of each other, were the coffins. On top of one rested an archbishop’s red and gold mitre.

Two had nameplates – one for Richard Bancroft (in office from 1604 to 1610) and one for John Moore (in office, 1783-1805), whose wife, Catherine Moore, also had a coffin plate. Also identified from a coffin plate was Dean of Arches John Bettesworth (who lived from 1677 to 1751), the judge who sits at the ecclesiastical court of the Archbishop of Canterbury.

St Mary-at-Lambeth’s records have since revealed that a further three archbishops were probably buried in the vault: Frederick Cornwallis (in office from 1768 to 1783), Matthew Hutton (1757-1758) and Thomas Tenison (1695-1715). A sixth, Thomas Secker (1758-1768), had his viscera buried in a canister in the churchyard.

“It was amazing seeing the coffins,” says Patten. “We’ve come across lots of bones on this job. But we knew this was different when we saw the archbishop’s crown.”
Details of the find have been kept secret for months until Easter Day to make the vault safe ahead of the museum’s grand reopening next month. As the tomb had been undisturbed for centuries, there was a fear the roof may have been unstable.

A square manhole has now been let into the chancel floor, with a glazed panel that will offer a glimpse of the steps down to the vault. The coffins – which have been left exactly where they were discovered, undisturbed – will be out of bounds, for good reason. Most lead sarcophagi contain dry remains, but some bodies decompose into a viscous black liquid known as “coffin liquor”. Should the ancient casings crack, it will spray forth.

Today, I am the first outsider to be allowed a look into the hidden tomb. I lie on the newly flattened altar, stare deep into the gloom, and point my torch at that mitre, still gleaming away on the jumbled pile of archbishops’ coffins. It is a spine-tingling view – one that astounded Christopher Woodward, director of the Garden Museum when he first heard of the discovery.

“I didn’t know what to expect,” he says. “I knew there had been 20,000 bodies buried in the churchyard. But I thought the burial places had been cleared from the nave and aisles, and the vaults under the church had been filled with earth.”


Woodward was not alone in this. St Mary’s crucial role in the history of Lambeth Palace’s most prestigious residents had been lost over time. It was originally an Anglo-Saxon church, built in 1062. Lambeth Palace was built later, in the 13th century. As the palace grew in importance, St Mary’s was overshadowed, literally and metaphorically.

There were records of archbishops being buried in the church, from the 17th to the 19th centuries. But it was thought their coffins had been swept away in 1851, when the ancient church was almost entirely rebuilt, except for its tower. Historians, Woodward included, believed the vaults had been filled in. And so they had been, except for the one beneath the holy altar, the most important spot in the building.

Woodward employed archaeologists, who photographed the coffin plates and researched burial records. Finally, last month, they came up with their staggering conclusions.

Of the identified coffins, the most important belongs to Bancroft, the chief overseer of the publication of the King James Bible. Production began in 1604 and the Bible was finally published in 1611, the year after Bancroft’s death. To find his coffin after all these centuries is astonishing.

“Archbishop Bancroft was chosen by King James I to put together a new English translation of the Bible,” says Woodward. “He didn’t write it, of course, but he made it happen, and the words he forced into print still ring out across a thousand churchyards every Sunday morning. It feels very precious to have his coffin as cargo in our hold.”

Woodward has also consulted Dr. Julian Litten, Britain’s greatest expert on ancient funerals and author of The English Way of Death. The Lambeth mitre chimed with his research into senior church funerals. Archbishops were buried with painted, gilded mitres placed on their coffins as part of their funerary achievements.

Litten concluded that the Lambeth mitre was a fine, 17th-century example. He also worked out, from the stamped plate on the casket beneath, that the coffin was made between 1775 and 1825, probably by the crown undertakers, Banting of St James’s. In other words, the mitre belonged to an older coffin, lower down in the pile, and had been moved on top of the new arrival to prevent damage.

“There is no other vault in the UK so rich in its sacerdotal (priestly) contents,” says Litten. “In short, it is the only archiepiscopal vault in the UK and, therefore, unique in the true meaning of the word.”

You might think Archbishops of Canterbury would be buried in Canterbury Cathedral. And, indeed, more than 50 of them are. But there is no rule saying their remains must be interred there. Six are buried in Croydon; three in Oxford; one in St Lawrence Jewry, in the City of London; one in Westminster Abbey; two in Winchester; and several on the Continent, from Normandy to Viterbo in Italy.

It isn’t surprising, then, that six were buried in Lambeth, residence to Archbishops of Canterbury for nearly 800 years. What is surprising is that they should be in tiny St Mary’s, rather than mighty Lambeth Palace itself.

The archbishops lived in glitzy splendour in the palace, with their own grand apartments, hall and sprawling gardens. Today, the Archbishop of Canterbury still has his own magnificent, 13th-century chapel and crypt within the palace walls. But his predecessors were buried not inside the palace chapel, but in the humble church next door.

How the old archbishops adored the church. Every time a member of the royal family visited Lambeth Palace, the bells of St Mary’s were rung. When a new rector was recruited for the church, he was often one of the Archbishop’s own chaplains or household officers.

“St Mary’s was unique as a London parish church as it was also, in effect, an annex of Lambeth Palace,” says Woodward. “This discovery opens up that whole story.”

Deconsecrated in 1972, St Mary’s pews and bells were transplanted to churches and houses across the country. It was even due to be demolished before becoming the Museum of Garden History (later renamed the Garden Museum) in 1977.

How wonderful that while St Mary’s has risen from the dead, its ancient, holy spirits are still sleeping under the altar.

Hole accidentally cut in U.K. museum floor reveals stairs to hidden tomb of five archbishops

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