Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Thursday, August 30, 2018

The roof of a church built on top of an ancient prison that is said to have held St. Peter before his crucifixion collapsed on Thursday in Rome. No injuries were reported.

The church was closed to the public at the time and is normally open only for marriage ceremonies, but dogs were brought in to sniff through the rubble to make certain no one had been buried, the fire department said.

The roof collapsed onto the floor of St. Joseph the Carpenter, which was built in the 1500s on top of the ancient Mamertine prison, where the defeated Gallic king Vercingetorix and Saints Peter and Paul are said to have been held.

Wooden beams and terracotta tiles were scattered in piles across the floor of the church, and one beam crashed through the floor and vaulted ceiling of a chapel below, fire official Luigi Liolli said shortly after inspecting the damage.
Italy has sought to attract private investors to renovate its historical sites, including the Colosseum, as budget austerity has cut into spending needed to maintain the country’s rich historical and artistic heritage.

In recent years several walls have collapsed in the ancient city of Pompeii, which was buried in volcanic ash almost 2,000 years ago. Pompeii, which has been partially excavated by archaeologists, is one of Italy’s most popular tourist attractions.

Roof collapses on historic church where St. Peter. Rome , Itaty

Saturday, July 28, 2018

All roads may lead to Rome, but once you get there, good luck taking the subway. The sprawling metropolis is expanding its mass transit system — a sluggish process made even slower as workers keep running into buried ancient ruins.
Roman marbles are on display in the San Giovanni metro station, part of Line C of Rome's subway, in 2017. Andreas Solaro/AFP/Getty Images

"I found some gold rings. I found glasswork laminated in gold depicting a Roman god, some amphoras," says Gilberto Pagani, a bulldozer operator at the Amba Aradam metro stop, currently under construction not far from the Colosseum.
Ancient Roman plates are on display in the San Giovanni underground station of Rome's C line. Archaeological remains were brought to the surface during the new line's excavation.
Andrew Medichini/AP

Pagani is part of an archaeological team at the site, a certified archaeological construction worker trained to excavate, preserve and build in cities like Rome, with thousands of years of civilization buried beneath the surface.

The presence of ancient artifacts underground is a daunting challenge for urban developers. For archaeologists, it's the opportunity of a lifetime.

"I think it's the luckiest thing that's ever happened to me, professionally speaking," says Simona Morretta, the state archaeologist in charge of the Amba Aradam site. "Because you never get the chance in a regular excavation to dig so deep. That's how we've found architectural complexes as important as this."

At roughly 40 feet below the surface, her team, which began work in 2013 at this stop, has uncovered a dwelling that once belonged to the commander of an adjacent military barracks. It dates back to the reign of the emperor Hadrian in the 2nd century A.D.

"It's a proper house, with a central courtyard," says Morretta. "The other exciting discovery is that so much of the decoration was found intact. So, ornamental mosaics, floors made of marble slab in various colors, and painted frescoes."

As two archaeologists dust mosaic flooring with tiny, precision brushes, idling industrial machinery belches diesel exhaust just a few feet away. Construction workers routinely have to shut the machinery down when a discovery is made.

The new route, the C line, was supposed to be ready in time for the Roman Catholic Church's Year of Jubilee — back in 2000. But city planners and officials can't blame all the delays on the ancients. There are ongoing investigations into waste and runaway spending by modern-day contractors and governments.

The city inaugurated its newest metro station, San Giovanni, in May. It is an important link that, for the first time, connects the C line to the city's two other subway lines.
This photo, made available by the Italian Culture Ministry, shows a frescoed wall segment, part of the charred ruins of a 3rd century building unearthed during construction work for Rome's Metro C line.
AP

The C line is also the most technologically advanced, the only one in Rome to be fully automated, with no conductors. As a train whooshes into the station, commuter Luigi Bonatesta jumps aboard. He says the wait for the station to open was frustrating.

"Whoa! Because no one declare[d] why the open[ing] day was delayed," he says. "No one declare[d] what happened."

One reason for the holdup was a surprise addition: inside the San Giovanni station, the walls are lined with artifacts discovered during the subway's construction, including stone bathtubs, marble busts, and even ancient peach pits from a Roman fruit vendor, all visible for the $1.75 cost of a metro ticket.

The next stop on the line will be Amba Aradam, the site of the ancient Roman military barracks, where archaeologists are still digging. Morretta says commuters there will be in for an even bigger treat.

"All that we've found here — the mosaics, everything — will be taken down, put inside special containers, then reassembled inside the metro stop," she says. "It will be a little museum, with all the barracks in the exact same position."

She hopes that will make it more enjoyable for people to wait for a train. But first, commuters will have to wait for the stop to be finished, with excavating still underway and an expected opening at least four years off.

For a city that wasn't built in a day, its subway system certainly won't be, either.

Rome's Subway Expansion Reveals Artifacts From The Ancient Past

Wednesday, September 20, 2017


The Javelin Sand Boa was used as a projectile against enemy ships
The rediscovery of an Ancient Greek snake species in Italy was announced on Thursday in the scientific journal Acta Herpetologica.

Scientists in Italy have rediscovered a type of snake which was used by the ancient Greeks as a weapon of war during sea battles.

They used to throw it at their enemies so as to create panic and confusion.


The Javelin Sand Boa, officially known as Eryx jaculus, had not been recorded in Italy for 80 years, as Telegraph reports.

However, snake experts decided to investigate and found the species, as locals claimed that this type of snake appeared in Sicily.
They believe the snake may have been introduced to Sicily in ancient times, when the island was colonised by the Greeks and it was found close to the sites of two ancient battles.

The rediscovery of the species in Italy was announced in Acta Herpetologica, a scientific journal.
“The Greeks used to use snakes as projectiles, hurling them at enemy ships before attacking in order to create confusion and fear,” Gianni Insacco, one of the researchers, told the news agency Ansa.

“In general they used vipers that had had their venom removed. Alternatively they would use similar species, like the sand boa.”

The species is also found in Greece, the southern Balkans, North Africa and the Middle East.
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Scientists rediscover ancient Greek 'weapon of war' snake in Sicily

Sunday, September 10, 2017


The Voynich manuscript is an illustrated codex hand-written in an unknown writing system. The vellum on which it is written has been carbon-dated to the early 15th century (1404–1438), and it may have been composed in Northern Italy during the Italian Renaissance. The manuscript is named after Wilfrid Voynich, a Polish book dealer who purchased it in 1912.

Some of the pages are missing, with around 240 remaining. The text is written from left to right, and most of the pages have illustrations or diagrams. Some pages are foldable sheets.


The Voynich manuscript has been studied by many professional and amateur cryptographers, including American and British codebreakers from both World War I and World War II. No one has yet demonstrably deciphered the text, and it has become a famous case in the history of cryptography. The mystery of the meaning and origin of the manuscript has excited the popular imagination, making the manuscript the subject of novels and speculation. None of the many hypotheses proposed over the last hundred years has yet been independently verified.

In 1969 the Voynich manuscript was donated by Hans P. Kraus to Yale University's Beinecke Rare Book and Manuscript Library, where it is catalogued under call number MS 408

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In 1639 the Prague citizen Georgius Barschius wrote a letter to the Jesuit Athanasius Kircher in Rome, which included the above lines. He explained that he owned a mysterious book that was written in an unknown script and that was profusely illustrated with pictures of plants, stars and chemical secrets. He could not read the text, and he hoped that Kircher would be able to translate this book for him. As far as we can tell, Kircher did not succeed in this.







This book later passed through various hands and it ended up in the Beinecke Rare Book and Manuscript Library of Yale University. It is now known as the "Voynich Manuscript (MS)". It is a medieval handwritten book of almost 250 pages, and even today the text cannot be understood. It has become quite famous, and it is recognised as one of the main unsolved problems in the history of cryptography.
While nobody has been able to find an explanation for the text, the book just seems to be waiting for someone to achieve this. In fact, there are plenty of people who believe that they have done this. Many new translations of parts of the MS, individual pages, or even individual words are proposed each year. The problem is that none of these is sufficiently convincing to be accepted.
The book is preserved in the Beinecke Library since 1969, where it is officially known as MS 408, but it is better known by its nickname. It was named after Wilfrid Voynich, an antiquarian book dealer who brought it to light in 1912. We may use his own words to describe this event, although we have to keep in mind that not all of his statements are necessarily reflecting the truth. This is because he bought the MS under the condition of absolute secrecy about the details of the sale.
In 1912 [...] I came across a most remarkable collection of preciously illuminated manuscripts. For many decades these volumes had lain buried in the chests in which I found them in an ancient castle in Southern Europe
[...]
While examining the manuscripts, with a view to the acquisition of at least a part of the collection, my attention was especially drawn by one volume. It was such an ugly duckling compared with the other manuscripts, with their rich decorations in gold and colors that my interest was aroused at once. I found that it was written entirely in cipher. Even a necessarily brief examination of the vellum upon which it was written, the calligraphy, the drawings and the pigments suggested to me as the date of its origin the latter part of the thirteenth century. The drawings indicated it to be an encyclopedic work on natural philosophy.
[...]
the fact that this was a thirteenth century manuscript in cipher convinced me that it must be a work of exceptional importance, and to my knowledge the existence of a manuscript of such an early date written entirely in cipher was unknown, so I included it among the manuscripts which I purchased from this collection.
[...]
two problems presented themselves - the text must be unravelled and the history of the manuscript must be traced.
[...]
It was not until some time after the manuscript came into my hands that I read the document bearing the date 1665 (or 1666) , which was attached to the front cover.
[...]
This document, which is a letter from Joannes Marcus Marci to Athanasius Kircher making a gift of the manuscript to him, is of great significance
The Prague physician and scientist Johannes Marcus Marci had been a faithful correspondent of Athanasius Kircher for 25 years. Sometime before his death he sent the manuscript to Kircher. The MS was accompanied by the letter mentioned by Voynich , in which Marci explains how he had inherited the manuscript from a close friend, who had tried to decipher it until the end of his life, and had also asked for Kircher's help. This friend was Georgius Barschius, whose letter was cited above.
Voynich took the manuscript to London in 1912, and later (January 1915) to the United States. He always called it his 'cipher MS', and occasionally he provided photographic copies of pages of it to experts in various disciplines. The manuscript became famous when, in the 1920's, William Romaine Newbold proposed a spectacular partial translation of its text. This 'solution' was disproved by John M. Manly in 1931.
The manuscript has attracted the attention of the code-breaking experts ever since 1917, and in the 1940's and 1960's the eminent cryptanalysts William F. Friedman and Elizebeth Smith Friedman made several valiant attempts at deciphering its text. They were aided by groups of codebreaking experts, but also they did not find any solution.
In 1961 the book was bought by the famous antiquarian H. P. Kraus for the sum of $24,500. He tried to sell it for $160,000 but was unable to find a buyer. Finally, in 1969 he donated it to the Beinecke Rare Book and MS Library of Yale University.
In 2009 one of the many questions surrounding the manuscript could be resolved. The parchment of the manuscript was radio-carbon dated resulting in a date range of 1404-1438 with 95% confidence.
The Voynich MS is a parchment codex of 22.5 x 16 cm, with its leaves numbered up to 116, of which 14 are now missing. Its cover, also parchment, is blank: it does not indicate any title or author. The manuscript is written in an elegant, but otherwise unknown script.
The text, written from left to right, appears to be arranged in short paragraphs. The manuscript is profusely illustrated, and from these illustrations it appears to be a scientific or medical work from the middle ages. Illustrations of similar type are mostly grouped together in the manuscript, and one may tentatively identify the following sections, based on these illustrations:
  • A herbal section, with drawings of herbs, some of which look realistic, while others appear imaginary;
  • An astronomical section, with illustrations of Sun, Moon, stars and zodiac symbols;
  • A cosmological section, with mostly circular drawings;
  • A so-called biological section, which contains some possibly anatomical drawings with small human (mostly feminine) figures populating systems of tubes transporting liquids;
  • A pharmaceutical section, so called because it has drawings of containers, next to which various small parts of herbs (leaves, roots) have been aligned;
  • A recipes section, which contains over 300 short paragraphs, each accompanied by a star in the left margin.

What does the Voynich MS say?

The text of the manuscript is still a mystery. It is tempting to assume that the text relates to the illustrations, but this is not certain. There have been many suggestions about the historical importance of the Voynich MS, ranging between opposite extremes, including:
  • early discoveries and inventions by the 13th century friar Roger Bacon, witten in a very complicated code;
  • nonsense written by a medieval quack, to impress his clientele;
  • a rare prayer book from the Cathars, not destroyed by the inquisition, written in a pidgin version of a Germanic/Romance creole;
  • meaningless strings of characters cleverly composed by John Dee and/or his associate Edward Kelley, for monetary gain.
This list could be extended further. So far, we are not able to answer the most basic question, namely whether the text is plain language, encrypted language, constructed language or entirely meaningless. It is not the purpose of this web site to address all possible interpretations that have been proposed. While there are numerous web sites presenting a great variety of proposed solutions, occasionally accompanied by long discussions, none of these can be considered correct. A correct explanation of the text should be easily recognised as such, and not require a lot of explanation or discussion.
The manuscript continues to attract people from all over the world, primarily because of the mystery of its unreadable text, but there is more to it. For some reason, it allows just about everyone to recognise something in it. It has something that makes so many people believe that they can solve this mystery. Anyone reading this, who believes that he/she has found the solution, please see the last question in the FAQ.
Voynich once stated that the book would become more valuable as soon as it has been deciphered, but this is hardly true. Its mystery and its resistance to translation is what makes it special .

Read more here

Voynich manuscript

Nicholas Gibbs, a history researcher, says that he has decoded the Voynich Manuscript, a legendarily mysterious 15th century text whose curious illustrations and script have baffled cryptographers, historians, and amateur sleuths for decades.

According to Gibbs, the Voynich Manuscript is a cobbled together compendium of largely plagiarized women's medical advice and treatments, and the odd script is just an idiosyncratic version of a widely used system of Latin abbreviations.


Gibbs hypothesizes that the Manuscript was commissioned as a kind of anthology, possibly for a single person's use.

The foldout diagram of nine illustrated spheres found in the Voynich manuscript proved the key to understanding it. The Voynich manuscript has been digitized by the Beinecke library, and this allowed me, at maximum magnification, to take a patchwork pencil tracing of the entire sequence of nine spheres. When I laid out my copy and turned it through 360 degrees, I noticed some interesting pers­pective properties. The design, in spite of its Persian influence, is definitely Mediterranean in style and content. The entire diagram can be viewed either as a lozenge shape or like a board of noughts and crosses. 

Every detail shown inside each circle or in their immediate connecting pathways – whether tent canopy, water fountain, fortification, cardinal point or wind direction – is depicted in the illustrations of De Balneis Puteolanis and copies of what was eventually to become the highly decorated manuscript Tacuinum Sanitatis (thirteenth century) gleaned from an eleventh-century Arab script, which in turn can be traced to Pliny. The sources common to all three titles come as no surprise – Galen, Hippocrates and Pliny.

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The imagery in one of the Voynich manuscript’s nine spheres reveals a hitherto unrecognized medieval sea port. There is no mistaking the fort that guards the harbour approaches, the crescent quay and the lighthouse on the mole at the end of the causeway, all overseen by its citadel. From an earlier project exclusively focused on the Crusades, I had come across a 1487 manuscript of Conrad Grünenberg’s travelogue of his pilgrimage to Jerusalem. 

The manuscript was stuffed full of illustrations of medieval sea ports. On revisiting this volume I noticed an image of Rhodes harbour which clearly reflected many of the features of the harbour of the Voynich nine spheres. Traditionally, water is depicted by a series of swirled or undulating parallel lines. In the Voynich manuscript, the harbour water is represented by star motifs. This provides a credible explanation for the star motif as a water symbol elsewhere in the manuscript.
Hot on the web
http://thrgo.pro/?rid=-6AAAAAAAE6RUBAAAAAAAAAAQaFiaiAAAAThe artists engaged in illustrating the Voynich manuscript ranged from the proficient to the downright naive. There appears to have been a different hand for each genre incorporated in it. The draughtsman responsible for the botany possessed a good sense of depth, while the colourist of the same images was slapdash, not with a brush but with a nib; the artist of various cylindrical and bulbous vessels had an eye for detail, but absolutely no sense of depth, and in stark contrast to the attached depictions of the root and leaf ingredients; while the artist of the nine spheres appears to have used an optical device.

The Voynich Manuscript appears to be a fairly routine anthology of ancient women's health advice

Saturday, September 2, 2017

Researchers have discovered traces of wine in Sicily dating back to the fourth millennia BC - meaning Italians have been making and drinking wine for much longer than previously thought.
A research team from the University of South Florida carried out tests on an ancient jar found in a cave in Sicily, and found it contained traces of 6,000-year-old wine, they announced on Friday.

The finding, published in Microchemical Journal, is "significant as it’s the earliest discovery of wine residue in the entire prehistory of the Italian peninsula", the archaeologists said.

In other words, the discovery has popped the cork on everything that we know about the history of wine in Italy. 


Previous recovery of seeds and samples had led to the belief that winemaking developed in Italy in the Middle Bronze Age, 1300-1100BC, or just over 3,000 years ago. 

But the ancient copper container unearthed – nearly intact – in a cave on Monto Kronio, on Sicily's southwest coast, opens up 3,000 years of winemaking history on the peninsula that were previously unchartered.

The large storage jar found near Agrigento contains tartaric acid and its sodium salt, "which occur naturally in grapes and in the winemaking process," according to the experts.

The copper container is more than 6,000 years old, making it the oldest known Italian wine and one of the oldest pieces of evidence for winemaking in the world.

The oldest known winemaking activity in the world was confirmed in Armenia, according to National Geographic, and was also approximately 6,000 years old. Some experts however have argued that the first winemaking in the world dates as far back as the Neolithic Age up to 10,000 years ago. 

Nevertheless, the wine traces discovered in Agrigento will help experts reconstruct how wine was produced and traded on the island 6,000 years ago.

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"This newest research, led by the University of South Florida, provides a new perspective on the economy of that ancient society," said the university. 

The previous oldest Italian wine residue was found in a Nuragic winepress near the Sardinian capital Cagliari in the early 1990s, according to Business Insider Italia. It was 3,000 years old. 

The researchers who discovered the container in Sicily were unable to establish whether the residue found was of red or white wine.

There is also no precedent to know what an auctioneer like Sotheby's might charge for a 6,000-year-old jar of Sicilian Merlot, should one still exist. 

Researchers have found 6,000-year-old wine in a Sicilian cave

Friday, September 1, 2017

Pliny the Elder sailed into danger when Vesuvius erupted, and never returned, but a body found a century ago 'covered in jewelry like a cabaret ballerina' may really have been his.
Italian scientists are a few thousand euros and a test tube away from conclusively identifying the body of Pliny the Elder, the Roman polymath, writer and military leader who launched a naval rescue operation to save the people of Pompeii from the deadly eruption of Mt. Vesuvius 2,000 years ago.


If successful, the effort would mark the first positive identification of the remains of a high-ranking figure from ancient Rome, highlighting the work of a man who lost his life while leading history's first large-scale rescue operation, and who also wrote one of the world's earliest encyclopedias.


Given that Italian cultural and scientific institutions are mired in budget troubles, the Pliny project is seeking crowdfunding for the scientists, who also studied Oetzi the Iceman – the 5,300-year-old mummy found perfectly preserved in an alpine glacier.

Sailing into the dark
The remains now believed to be Pliny's were found more than a century ago. But identifying the body has only recently become feasible, says Andrea Cionci, an art historian and journalist who last week reported the findings in the Italian daily La Stampa.

Gaius Plinius Secundus, better known as Pliny the Elder, was the admiral of the Roman imperial fleet moored at Misenum, north of Naples, on the day in 79 C.E. when Vesuvius erupted.


According to his nephew, Pliny the Younger, an author and lawyer in his own right who was also at Misenum and witnessed the eruption, Pliny the Elder's scientific curiosity was piqued by the dark, menacing clouds billowing from the volcano. Initially he intended to take a small, fast ship to observe the phenomenon. But when he received a desperate message (possibly by signal or pigeon) from a family he knew in Stabiae, a town near Pompeii, he set out with his best ships to bring aid not only to his friends "but to the many people who lived on that beautiful coast.
A deadly cloud
He would have had about a dozen quadriremes, warships with four banks of rowers, at his disposal, says Flavio Russo, who in 2014 wrote a book for the Italian Defense Ministry about Pliny's rescue mission and the tentative identification of his remains.

These ships were some of the most powerful units in the Roman naval arsenal, capable of carrying some 200 soldiers (or survivors) on deck while braving the stormy seas and strong winds stirred up by the eruption, Russo told Haaretz in an interview. "Before him, no one had imagined that machines built for war could be used to save people," he said.

The Roman fleet made the 30-kilometer journey across the Gulf of Naples at full speed, launching lifeboats to collect the hundreds of refugees who had made their way to the beaches.

According to Pliny the Younger, his uncle also disembarked and went looking for his friends in Stabiae. But as he was leading a group of survivors to safety, he was overtaken by a cloud of poisonous gas, and died on the beach.

We do not know how many people reached the safety of the ships before the cloud moved in. Russo estimates the fleet may have saved up to 2,000 people – a number roughly equal to the estimated number of those killed in the eruption, as the volcanic spew wiped out the towns of Pompeii, Herculaneum and Stabiae.
Bodies found in Pompeii's boat sheds after Vesuvius erupted 2,000 years ago.

Pliny the Younger's description of the eruption is considered so accurate that experts today call similarly explosive volcanic events as "Plinian eruptions."

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Indirect evidence confirming his story was found in the 1980s, when archaeologists digging at the ancient port of Herculaneum uncovered the remains of a legionnaire and a burnt boat, possibly one of the lifeboats and a crew member dispatched by Pliny's fleet. They also found the skeletons of some 300 people who had sought refuge in the covered boat sheds of the port, only to die instantly when the so-called pyroclastic surge, a superheated cloud of volcanic gas and rock typical of these kinds of eruptions, rolled down Vesuvius, killing everyone in its path.
Map of cities and towns affected by the eruption of Mount Vesuvius in 79 CE. The general shape of the pyroclast is shown by the dark area to the volcano's southeast.

Wouldn't prance like a ballerina
In the first years of the 20th century, amid a flurry of digs to uncover Pompeii and other sites preserved by the layers of volcanic ash that covered them, an engineer called Gennaro Matrone uncovered some 70 skeletons near the coast at Stabiae. One of the bodies carried a golden triple necklace chain, golden bracelets and a short sword decorated with ivory and seashells.

Matrone was quick to theorize that he had found Pliny's remains. Indeed, the he place and the circumstances were right, but archaeologists at the time laughed off the theory, believing that a Roman commander would not run around "covered in jewelry like a cabaret ballerina," Russo said.

Humiliated, Matrone sold off the jewels to unknown buyers (laws on conservation of archaeological treasures were more lax then) and reburied most of the bones, keeping only the supposed skull of Pliny and his sword, Russo said.

These artifacts were later donated to a small museum in Rome – the Museo di Storia dell'Arte Sanitaria (the Museum of the History of the Art of Medicine) – where they have been kept, mostly forgotten, until today.

Russo, who has been the main driving force behind efforts to confirm the identification, says that judging by Matrone's drawings, the jewelry found on the mysterious skeleton as well as the ornate sword are compatible with decorations common among high-ranking Roman navy officers and members of the equestrian class, the second-tier nobility to which Pliny belonged.

Furthermore, an anthropologist has concluded that the skull held in the museum belonged to a male in his fifties, Russo said. We know from Pliny the Younger that his uncle was 56 when he died. 

With evidence mounting, Russo and Cionci turned to the Oetzi the Iceman team to have them perform more tests on the skeleton from Stabiae.
"We are not saying that this is Pliny, merely that there are many clues that suggest it, and we should test this theory scientifically," Cionci said. "This is something unique: it's not like we have the bones of Julius Caesar or Nero."
Tell-tale teeth

Researchers plan to carry out two tests: a comparison between the skull's morphology with known busts and images of Pliny, and, more importantly, an examination of the isotope signatures in his teeth.
"When we drink water or eat something, whether it's plants or animals, the minerals from the soil enter our body, and the soil has a different composition in every place," explains Isolina Marota, a molecular anthropologist from the University of Camerino, in central Italy.
By matching the isotopes in the tooth enamel, which is formed in childhood, with those in soil samples, scientists can determine where a person grew up. In the case of the Iceman, they managed to pinpoint the Alpine valley where he had spent his childhood. For Pliny, they would look for signatures from the northern Italian town of Como, where he was born and bred, Marota told Haaretz.
She estimated the tests would cost around 10,000 euros. Once the money is found, obtaining the necessary permits and performing the research will take some months, she said.
For its part, the museum hosting the skull would be happy to sacrifice a bit of a tooth to highlight the importance of their exhibit, said Pier Paolo Visentin, secretary general of the Accademia di Storia dell'Arte Sanitaria, which runs the museum.
Visentin noted that while we have names on Roman sarcophagi and burials in catacombs, there are no cases of major figures from ancient Rome whose remains have been positively identified – leaving aside traditions and legends linked to the relics of Christian saints and martyrs.
For one thing, Romans have favored cremation throughout much of  their history. And when they did bury their dead, they did not embalm them like the Egyptians, who have left us a multitude of neatly labeled mummies of pharaohs and officials.
Finally, the Italian climate isn't dry like the Egyptian desert and the looting of ancient monuments that was common during the Middle Ages would have done the rest, he says.
"This is quite a unique case, since these remains were preserved in the time capsule that is Pompeii," Visentin said.

You quote Pliny all the time
Besides his last, humanitarian gesture, Pliny is known for the books he wrote, ranging from military tactics, to history and rhetoric. His greatest and only surviving work was his Naturalis Historia (Of Natural History): 37 books filled with a summation of ancient knowledge on astronomy, mathematics, medicine, painting, sculpture and many other fields of the sciences and arts.

Pliny's work inspired later encyclopedias: most of us at some point have unknowingly cited him. Perhaps, looking at these experiments on his possible remains, he would be skeptical of any conclusions, telling us to take them "with a grain of salt" and reminding us that "the only certainty is that nothing is certain."

Or perhaps he would encourage scientists to forge on, repeating what, according to his nephew, he said when his helmsman suggested they return to port as scalding ash and fiery stones began raining on the fleet headed for Vesuvius. His response was: "Fortune favors the bold."

source
http://www.lastampa.it
http://www.haaretz.com

Pompeii Hero Pliny the Elder May Have Been Found 2,000 Years

Thursday, August 31, 2017

The ancient Romans are known for their vast empire, their politics, and for their impressive public works projects. Parts of their aqueduct, sewer, and pipe system that carried water to residents, and waste away, can still be found. The pipes have long been a source of controversy—it’s been suggested the lead from pipes caused widespread lead poisoning that led to the downfall of the Roman Empire. New research still doesn’t answer that question, but it does tell us the Romans started using lead pipes earlier than previously believed.

Today, the site of Ancient Rome’s harbor city Ostia lies about two miles from the shore, thanks to centuries of silt deposits from the Tiber River. A team of British and French researchers took 177 core samples from the area, then used carbon dating to determine the age of each layer. The layers of soil provide a record of flooding on the Tiber and the buildup of silt, but they also provide a thorough record of the use of lead pipes. The researchers were able to measure the levels of lead in the layers, and found that Romans started using lead pipes around 200 BC, and stopped around 250 AD.

Lead pipes found in Rome by archaeologists so far have date stamps that only go back to 11 BC, but the new timeline for lead pipe use makes sense—large aqueducts were built around 140 and 125 BC and they would have needed an extensive pipe system to deliver all that water to residents. The lead levels dropped during a civil war in the first century BC, and again after 250 AD, when they stopped maintaining their pipe system as their economy declined.

Ancient Romans Were Using Lead Pipes Earlier Than We Thought

Ancient Egypt will be showcased at Milan's Museum of Cultures (MUDEC) from September 13 until January 7, 2018.

The exhibition, entitled 'Egypt. The Extraordinary Find of the Pharaoh Amenhotep II', centers on the life of the pharaoh, from 1427 until 1401 BC.

Son of the important Thutmose III, Amenhotep II has long been overshadowed by his famous father.

The documents relating to the discovery of his tomb in the Valley of the Kings by archaeologist Victor Loret in 1898 were also unknown until about 15 years ago. The documents are now the property of the Milan University, which keeps them in the Egyptian Studies Archives, and will be exhibited for the first time ever to the public.

The exhibition will include a life-size reconstruction of the columned pharaoh's tomb, with the immersive experience continuing into a mortuary chamber in a section focusing on funerary beliefs and mummification.

The precious objects that were laid to rest with the pharaoh to "accompany him into the afterlife" will be on display. The archaeologist Loret brought to light the pharaoh's mummy as well as those of some other well-known rulers of the New Kingdom, which were hidden inside one of the four rooms annexed to the mortuary chamber in an attempt to keep them safe from tomb raiders. Tutankhamon's mother and grandmother were both among the bodies found.

Ancient Egypt goes to Milan with Amenhotep II exhibit

Wednesday, August 23, 2017

Molten lava, volcanic ash, modern grime, salt, humidity - this ancient painting of a Roman woman has been through it all.

But a new type of high-resolution X-ray technology is helping scientists discover just how stunning the original portrait once was, element by element.

The technique could help conservators more precisely restore the image, and other ancient artworks, to their former glory.

In one of the first field studies of its kind, researchers from the Pratt Institute in New York used a recently developed portable macro X-ray fluorescence instrument.

With it, they scanned and analysed a painting of a young woman found in the ancient city of Herculaneum.

This new instrument allows scientists to examine a painting without having to move it or have the device come into contact with the artwork. 

It can produce maps of the elements, such as iron, lead and copper, contained in the painting.

Dr Eleonora Del Federico, from Pratt Institute's School of Liberal Arts and Sciences, speculates that when the picture was first uncovered, it was probably stunning.

But a few decades of exposure to the elements has wrought incalculable damage to it.

Speaking to MailOnline, Dr Del Federico said: 'This is as far as we know the very first study of a fresco painting in situ and on site at its original setting.

'What is most remarkable from my point of view is that the portrait is so degraded that it is insignificant.

'In fact, many books on Herculaneum about this house don't even mention her.

X-ray scanning reveals the portrait of a Roman woman lost under layers of ash from the eruption of Mount Vesuvius

Friday, August 18, 2017


Did you know lemons were a sign of privilege and wealth in ancient Rome?

While citrus orchards are common in Mediterranean regions today, citrus fruits are not native to the Mediterranean - instead, they came from Southeast Asia.  
According to the study, the first remains of the earliest lemons were found in the Roman Forum at around the time of Jesus Christ.

Even though citrus fruits are quite common in the Mediterranean and United States today, they actually originated in Southeast Asia. A new study led by Dr. Dafna Langgut, an Archaeobotanist at the Institute of Archeology at Tel Aviv University in Israel, has tracked the long migratory patterns of citrus fruits.

Langgut was prompted to begin her study after finding the earliest surviving evidence of citrus (dating back some 2,500 years) in the remains of a royal garden in Jerusalem, which was part of a Persian province at the time. She examined ancient texts, art, artifacts, seeds and coins, as well as the botanical remains of fossil pollen grains, charcoals, seeds and other fruit remnants to track the migration patterns.

The first citrus to arrive in the Mediterranean was the citron, which followed a path of westward migration, starting in Persia before traveling through the Middle East, arriving in the Mediterranean region around the 4th or 5th century B.C. Lemons arrived next, around four centuries later, with the earliest lemon remains found in the legendary Roman Forum. “This means for more than a millennium, citron and lemon were the only citrus fruits known in the Mediterranean Basin,” Langgut said.

Since the citron was the first to reach the Mediterranean, the whole group of fruits (citrus fruits) is named after it. As both of these early fruits were incredibly rare, they were coveted by the ancient elite, who boasted of their healing and cleaning powers and their pleasant smell. The fruits even took on a religious significance in some early civilizations.

“While citron and lemon arrived in the Mediterranean as elite products, all other citrus fruit most probably spread for economic reasons,” the study noted. And they arrived much later. It wasn’t until the 10th century A.D. that other citruses such as the sour orange, lime and pummelo were introduced to the Mediterranean Basin by invading Muslims, and sweet oranges and mandarins didn’t arrive until even later still (in the 1400s and 1800s, respectively, as part of lucrative new trade routes). The lemon and the citron remained ancient Rome’s main squeeze for centuries.

Lemons were a status symbol in ancient Rome


The ancient Romans were famous for their advanced water supply. But the drinking water in the pipelines was probably poisoned with antimony on a scale that would have led to daily problems with vomiting, diarrhoea, and liver and kidney damage, according to water pipe analyses from Pompeii.

"The concentrations were high and were definitely problematic for the ancient Romans. Their drinking water must have been decidedly hazardous to health," says Kaare Lund Rasmussen, a specialist in archaeological chemistry. He analysed a piece of water pipe from Pompeii, and the result surprised both him and his fellow scientists. The pipes contained high levels of the toxic chemical element antimony.

The result has been published in the journal Toxicology Letters.

Romans poisoned themselves
For many years, archaeologists have believed that the Romans' water pipes were problematic from a public health perspective. After all, they were made of lead, a heavy metal that accumulates in the body and eventually causes damage to the nervous system and organs. Lead is also very harmful to children. So there has been a long-lived thesis that the Romans poisoned themselves to a point of ruin through their drinking water.

"However, this thesis is not always tenable. A lead pipe gets calcified rather quickly, thereby preventing the lead from getting into the drinking water. In other words, there were only short periods when the drinking water was poisoned by lead—for example, when the pipes were laid or when they were repaired. Assuming, of course, that there was lime in the water, which there usually was," says Kaare Lund Rasmussen.

Instead, he believes that the Romans' drinking water may have been poisoned by the chemical element antimony, which was found mixed with the lead.

Unlike lead, antimony is acutely toxic, causing a quick reaction after consumption. The element is particularly irritating to the bowels, and the reactions include excessive vomiting and diarrhoea that can lead to dehydration. In severe cases, it can also affect the liver and kidneys, and in the worst-case scenario, can cause cardiac arrest.

This new knowledge of alarmingly high concentrations of antimony comes from a piece of water pipe found in Pompeii.

"Or, more precisely, a small metal fragment of 40 mg, which I obtained from my French colleague, Professor Philippe Charlier of the Max Fourestier Hospital, who asked if I would attempt to analyse it. The fact is that we have some particularly advanced equipment at SDU, which enables us to detect chemical elements in a sample and, ever more importantly, to measure where they occur in large concentrations," says Rasmussen.

Volcano made it even worse
Kaare Lund Rasmussen emphasizes that he only analysed this one little fragment of water pipe from Pompeii. It will take several analyses to get a more precise picture of the extent to which Roman public health was affected.

But there is no question that the drinking water in Pompeii contained alarming concentrations of antimony, and that the concentration was even higher than in other parts of the Roman Empire, because Pompeii was located in the vicinity of the volcano Mount Vesuvius. Antimony also occurs naturally in groundwater near volcanoes.

The measurements were conducted on a Bruker 820 Inductively Coupled Plasma Mass Spectrometer. The sample was dissolved in concentrated nitric acid. Two mL of the dissolved sample was transferred to a loop and injected as an aerosol in a stream of argon gas, which was heated to 6000 degrees C by the plasma. All the elements in the sample were ionized and transferred as an ion beam into the mass spectrometer. By comparing the measurements against measurements on a known standard the concentration of each element is determined.

source

Researcher finds ancient Pompeii water pipes contaminated with toxic antimony

We all know the phrase “all roads lead to Rome”. Today, it is used proverbially and has come to mean something like “there is more than one way to reach the same goal”. But did all roads ever really lead to the eternal city?

The power of pavement

There was a close connection between roads and imperial power. In 27 B.C, the emperor Augustus supervised the restoration of the via Flaminia, the major route leading northwards from Rome to the Adriatic coast and the port of Rimini. The restoration of Italy’s roads was a key part of Augustus’ renovation program after civil wars had ravaged the peninsula for decades. An arch erected on the via Flaminia tells us that it and the most other commonly used roads in Italy were restored “at his own expense”.

And road paving was expensive indeed – it had not been common under the Republic, except in stretches close to towns. Augustus and his successors lavished attention on the road network as roads meant trade, and trade meant money.

In 20 B.C., the senate gave Augustus the special position of road curator in Italy, and he erected the milliarium aureum, or “golden milestone”, in the city of Rome. Located at the foot of the Temple of Saturn in the Roman Forum, it was covered with gilded bronze.

According to the ancient biographer Plutarch, this milestone was where “all the roads that intersect Italy terminate”. No one quite knows what was written on it, but it probably had the names of the major roads restored following Augustus’s instructions.

The centre of the world

Augustus was keen to foster the notion that Rome was not just the centre of Italy, but of the entire world. As the Augustan poet Ovid wrote in his Fasti (a poem about the Roman calendar):

There is a fixed limit to the territory of other peoples, but the territory of the city of Rome and the world are one and the same.
Augustus’ right-hand man, Agrippa, displayed a map of the world in his portico at Rome which contained lists of distances and measurements of regions, probably compiled from Roman roads.
The Roman road network bound the empire together. Senators had begun to erect milestones listing distances in the mid-third century B.C., but from the first century A.D., emperors took the credit for all road building, even if it had been done by their governors.

More than 7000 milestones survive today. In central Italy, the milestones usually gave distances to Rome itself, but in the north and south, other cities served as the node in their regions.

Augustus also established the cursus publicus, a system of inns and way-stations along the major roads providing lodging and fresh horses for people on imperial business. This system was only open to those with a special permit. Even dignitaries were not allowed to abuse the system, with emperors cracking down on those who exceeded their travel allowances (Bronwyn Bishop would not have fared well in the Roman empire).

The association between empire and roads meant that when Constantine founded his own “new Rome” at Constantinople in the fourth century A.D., he built an arch called the Milion at its centre, to serve as the equivalent of the Golden Milestone.

Many Roman itineraries have survived because they were copied in the medieval period. These record distances between cities and regions along the Roman road network. The “Antonine Itinerary”, compiled in the third century A.D., even helpfully includes shortcuts for travellers. These types of documents were uniquely Roman – their Greek predecessors had not compiled such itineraries, preferring to publish written accounts of sea voyages.

The Roman road network had prompted the development of new geographical conceptions of power. This is nowhere more prevalent than on the Peutinger Table, a medieval representation of a late Roman map. It positions Rome at the very centre of the known world.

Proverbial roads

Since antiquity, the phrase “all roads lead to Rome” has taken on a proverbial meaning. The Book of Parables compiled by Alain de Lille, a French theologian, in the 12th century is an early example. De Lille writes that there are many ways to reach the Lord for those who truly wish it:

A thousand roads lead men throughout the ages to Rome, 
Those who wish to seek the Lord with all their heart.
The English poet Geoffrey Chaucer used the phrase in a similar way in the 14th century in his Treatise on the Astrolabe (an instrument used to measure inclined position):

right as diverse pathes leden diverse folk the righte way to Rome.
The “conclusiouns” (facts) Chaucer translates into English for his son in the treatise come from Greek, Arabic, Hebrew, and Latin - and all came to the same conclusions on the astrolabe, says Chaucer, much as all roads lead to Rome.

In both these examples, while the ancient idea of Rome as a focal point is invoked, the physical city itself is written out of the meaning. Neither de Lille nor Chaucer are actually talking about Rome – our modern “there’s more than one way to skin a cat” would work just as well.

A return to Rome

When the proverb started to become popular in 19th-century newspapers and magazines, however, the spectre of the city returned. Rome as the Eternal City struck a chord with this audience, which was reading and hearing about the exciting excavations taking place in Italy and Europe. Accordingly, the phrase took back a semblance of its original sense – Rome as the imperial metropolis – while retaining its proverbial import.

For example, in July 1871, the Daily News’s Special Correspondent for the Times in India watched Victor Emmanuel II enter Rome in triumph as the King of (United) Italy:

“All roads,” says the old proverb, “lead to Rome,” and the proverb rose up with a strange force to my mind to-day … By what various paths has he at length reached the Quirinal [Hill].
Just as the King took various roads into the city, so his route to monarchy had been arduous and chequered. The Special Correspondent, on seeing the entrance of Emmanuel II, uses Rome as both an imperial city and an end point for achievement – the King both literally enters the city and takes a number of “roads” to achieve monarchical power. The double use of the proverb is perfect and irresistible.

For other commentators, Rome remained the spiritual centre of the western world. Katherine Walker, writing for Harper’s Magazine in 1865, described her journey from Livorno to Rome with a German Roman Catholic priest.

“We are inclined to think of the old proverb true that ‘All roads lead to Rome’,” she wrote. While the priest delighted in the city as the home of Pope Pius IX, Walker herself objected that her priestly guide could only see the Pantheon as the church Santa Maria ad Martyres, and not as Agrippa’s temple to the pagan gods.

While both ancient and modern Italian roads all lead to Rome, to Walker the city itself had drastically mutated from the home of Augustus and Agrippa to that of Catholicism and the Pope. She finds this disappointing.

The idea of Rome

The expression “all roads lead to Rome” is a correct reflection of both the sophisticated Roman road network and its visualisation in Roman monuments and documents.

Later, however, the way in which Romans boasted of the centrality of their metropolis transformed into a proverb that had nothing necessarily to do with real roads or, for a time, the real Rome. In the 19th century, travellers revived the phrase as a way of melding the ancient past with their modern viewing experiences.

Why is this conception of Roman power accurate, when compared with other myths in this series? We assume that Romans were gluttonous or their emperors were crazy because such myths feed into our prejudices, which are then reinforced by popular culture.

Roads are a much more mundane aspect of Roman life compared to Nero’s alleged excesses, which makes them a less obvious way to think about imperial power. But when we hear the phrase “all roads lead to Rome”, we do not think of paving stones, but of the larger Roman road network - with Rome, its characters, and its history at the centre.

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Mythbusting Ancient Rome – did all roads actually lead there?

Some of the mystery behind one of Sicily's largest ancient Roman villas is now solved thanks to a team of archeologists from the University of South Florida in Tampa, Fla. They're the first to successfully excavate the 5,000 square meter Roman villa of Durreueli at Realmonte, located off the southern coast of Sicily.

Project director Dr. Davide Tanasi, assistant professor in the USF Department of History, and his students worked alongside USF's Center for Virtualization and Applied Spatial Technologies (CVAST). Together they created terrestrial and aerial 3D scanning of the entire villa, an invaluable tool in guiding the excavation and interpreting the villa's architectural phases.

Through a month of excavations, they determined the villa was consistently occupied between the 2nd and 7th century CE and reconfigured to settlement in the 5th century Common Era (CE). That conclusion comes following the discovery of new walls, floor levels, staircase and water channel.

The team found cookware and lamps along with a large quantity of African Late Roman pottery and related materials such as kiln spacers. This leads researchers to believe an important function of the village was to produce pottery, bricks and tiles in industrial scale, helping explain the economic history of Late Antique Sicily.
Parts of the Roman villa of Durreuli at Realmonte were uncovered during a Japanese-led excavation effort in 1979-1985, but the team did not discover such an extensive part of Roman history.

USF worked in conjunction with the Superintendence for Cultural Heritage of Agrigento and plans to continue its research next summer. Such an effort is important to USF and Tampa, as it is a sister city with Agrigento, the provincial capital in which Realmonte is located.

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Archeologists uncover new economic history of ancient Rome

Friday, July 7, 2017

Schoolchildren from across the region have been learning different ways to engage with maths, as part of a series of ancient Roman classroom days held at the University of Reading.
Organised by the University's Department of Classics, the Reading Ancient Schoolroom event saw pupils undertake a series of ancient-style school exercises, including doing multiplication, division, and calculating compound interest with Roman numerals. A key difference between how maths was taught then and now is that sums were not written down in ancient Roman times - instead an abacus or a counting board with dried beans was used.
In addition, school children in antiquity were taught individually by the teacher and worked on their own assignments, rather than being taught as a whole class. This meant pupils were able to work at their own rate of ability.
Professor Eleanor Dickey, who organised the series of events, said: 'We've been running these ancient schoolroom days for a few years now and what we've learnt during that time is that the children really engage with the ancient teaching methods, especially when it comes to maths. We've found that children who aren't naturally gifted at maths actually enjoy using the abacus and counting boards and this helps to stimulate their interest and learning of the subject.
"As follow up to the day we provide teachers with a pack of teaching materials they can take back to their own classroom and this includes instructions on how to make a counting board, as well as other maths-related and non-maths-related activities. It is my hope that some of these ancient methods can help to further modern teaching practice."
Other activities on the day included reading poetry written without word division or punctuation, learning to write with a stylus on a wax tablet and reading from papyrus scrolls. Wearing Roman costumes, students also got to sample some authentic Roman food and handle objects from the University of Reading's Ure Museum of Greek Archaeology.
Professor Dickey continued: "Ancient education methods, by being very different from our own, help us better appreciate both the advantages and the disadvantages of our own system, and show that doing things our way is neither natural nor inevitable.
"The ancient Roman school days are also a great way to get children interested in history more generally."
The research which helped determine what a day in an ancient Roman classroom was like came from Professor Dickey's discovery and translation of a set of ancient textbooks describing what children did in school. Parts of these historical records were published last year in a book by Professor Dickey: Learning Latin the Ancient Way: Latin Textbooks in the Ancient World, published by Cambridge University Press.

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